Springfield Symphony to take on ‘one of the monuments in the canon of symphonic music’

Springfield Symphony Orchestra conductor and music director Peter Stafford Wilson will oversee Gustav Mahler's Symphony No. 5 for its next concert on Sunday at the Clark State Creative Arts Center. Contributed photo

Springfield Symphony Orchestra conductor and music director Peter Stafford Wilson will oversee Gustav Mahler's Symphony No. 5 for its next concert on Sunday at the Clark State Creative Arts Center. Contributed photo

Springfield Symphony Orchestra concerts devoted to one piece are rare. Conductor and music director Peter Stafford Wilson didn’t hesitate to schedule one this season with Gustav Mahler’s Symphony No. 5.

“Symphony No. 5 is one of the monuments in the canon of symphonic music. Like Beethoven or Brahms who came before him and Shostakovich who came after him, Mahler was one of the great composers of the form of the ‘symphony,‘” Wilson said. “We have shared two Mahler symphonies during my tenure, the first and second, and both were very enthusiastically received. His music is very challenging to the musicians, but the SSO is certainly up for the challenge.”

A chance to experience a piece of music that has been used for ballets, movie soundtracks and even figure skating routines will grace the Kuss Auditorium with Symphony No. 5 at 7:30 p.m. Saturday at the Clark State Performing Arts Center.

Wilson said Mahler’s work shares amazing similarities to Beethoven like short-short-short-long motive that Beethoven turned into an entire movement, likewise Mahler uses a very similar motif to open the first movement of his fifth symphony or moments that sound almost like Johann Sebastian Bach could have written them, and Mahler had developed an affinity for Bach’s music.

“Mahler is so great at describing the human condition in purely musical terms,” he said. “This piece takes us from the depths of despair in the opening funeral march to unbridled joy in the last movement of this 76-minute piece. His music is complex, often embracing several different emotions all at the same moment.”

One of the highlights is the Adagietto movement, a love song Mahler wrote for his new bride, Alma, and used in ballets, skating performances and in movies.

Even other music greats revered Mahler’s Symphony No. 5. Wilson shared an urban legend has it that the famed conductor Leonard Bernstein had such an affinity for this piece that he asked to be buried with a copy of the score.

Besides hearing this classic, the audience will also experience a brand-new text critical edition of the piece representing recent research according to Wilson.

“I think we are the first orchestra in the world to perform the piece utilizing this new version,” Wilson said.

Also, being a large work in terms of numbers of musicians, even more will perform. Principal players were asked to suggest players to add to their sections to complete the rosters and picked up interest from two bassoonists from Chicago and two French horn players from Florida.

“An opportunity to play Mahler No. 5 doesn’t come around often, so they are likely to accept,” said Wilson.

Author Arved Ashby, who recently wrote a best-selling book on listening to Mahler’s music will deliver the pre-concert talk, Wilson said.


MORE DETAILS

Tickets cost $47-76, with a limited number of student tickets available for $15. For tickets or more information, go to www.springfieldsym.org/event-details/gustav-mahler.

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